Compatibility – Suitability – Usability
- Q: Will my old pre-Modular Suspension work with a new Windshield?
- A: Yes, but you will need to request an “old-style” filler strip. When we changed to the Modular Suspension, we took the opportunity to rationalise the Suspension to metric screws and metric hole spacing. That includes the holes in the filler strip.
- Q: Is the Modular Suspension suitable for more than one microphone?
- A: One of the benefits of the Modular Suspension is that it comes supplied with a variety of clips and o-rings making it possible to adapt your suspension for many different microphones.
- Q: What purpose do the numbers on the bar and hoops of my Modular Suspension serve? A: The Modular suspension can be set up in a wide variety of ways, and the numbers identify the various hole positions (and even the hoop directions). This makes it simple to reset a particular configuration – and also to explain to others (including Rycote) how it is set up.
- Q: I can’t find my microphone or camcorder on your list.
A: We continuously strive to maintain current and accurate lists of commonly used professional audio equipment; however occasionally we miss one out; please contact us, with the name and dimensions of your microphone and we will be happy to advise on product availability.
- Q: What is the difference between a Windshield and a Softie?
A: Windshields allow the entire microphone to be suspended in a protected environment. This gives the ultimate in windnoise suppression. Softies are a simpler, push-on design which, though still very effective, are primarily aimed at those for whom robustness is a priority.
- Q: Can I use a Hi Wind Cover in conjunction (ie, underneath) with a Windjammer?
A: Yes. However, as you add more covers – even Rycote ones – you must expect some reduction of sound quality (mostly HF), but this may well be quite acceptable compared to wind roar.
- Q: At what wind speeds are Softies and Windshields effective?
A: Wind speed figures are averages over a certain time; whereas, what ruins a recording is the momentary peak that causes a “blast”- and wind can be a fairly steady blow from one direction, or turbulent gusts from everywhere. The criteria for “noise” also vary with use. For music one “putter” of wind could be very annoying, but for a gritty news report in a storm, one only cares if it is intelligible. So, correlating effectiveness with wind speed is all but impossible – but with the right mic, the right user, and the right Rycote successful recordings have been made in full gales.